Audio of the talk given by Valentino Gianuzzi (Manchester) for CLACS’s seminar series, entitled ‘Before Amauta: The Early Peruvian Avant-Gardes and the Fear of Modernity (1916-1926)’.
Here you can listen to the audio of the talk given by Dr Jo Evans (UCL) on childhood and adolescence in Luis Buñuel’s films as part of our Seminar Series.
Abstract: Childhood and adolescence have become an important focus of attention for film and film studies in recent years. Films like We Need to Talk About Kevin (Ramsey 2011), Gone Baby Gone (Affleck 2007), even Boyhood (Linklater, 2014), address the ethical complexity of our parental and/or social responsibility for children, and film scholars now pay serious attention to our relationship with the child on screen.
Major academic studies have emerged. Emma Wilson’s Cinema’s Missing Children(2003) and Sarah Wright’s The Child in Spanish Cinema (2013) provide the theoretical foundations for any serious analysis of the representation of children on screen, while Carolina Rocha’s special issue of Studies in Hispanic Cinemas(2011) on ‘Children in Hispanic Cinema’ testifies the importance of this topic for scholars Spanish-language film. Yet to date, with the exception of studies of Los olvidados, scholars have paid little attention to the representation of childhood in the work of the director who is arguably still the best-known Spanish-language auteur. With a view to addressing this perceived gap, this paper will examine the Spanish-Mexican director Luis Buñuel’s complex, provocative, ambivalent, blackly comic and, at times, frankly disturbing representation of the child on screen.
Here you can listen to the audio of the talk given by Dr Katia Chornik (Manchester) entitled ‘Music and Human Rights Liaisons: Interviewing Álvaro Corbalán, a Singer-Songwriter and Top Agent of Pinochet’s Secret Police’.
Here is an abstract of her talk:
In February 2010, Álvaro Corbalán was awarded a gaviota de plata (silver seagull) by the International Song Contest of Viña del Mar (Chile), the most important popular music competition in the Spanish-speaking world. This accolade was not, however, granted for his musical talents but “for having defeated Marxism terrorism in Chile”, as the inscription reads. Corbalán was in fact a top agent of the CNI, one of the secret services operating during Augusto Pinochet’s dictatorship (1973-1990), and as such ran a clandestine torture centre known for its heavy manipulations of prisoners’ acoustic environment. Convicted of innumerable crimes, Corbalán serves a life sentence. Using my interview material and drawing on research in popular music and memory studies, I explore Corbalán’s elusive recollections of Pinochet’s prisons, and the ways in which he makes sense of his own detention through his musical compositions.
The talk was given on Wednesday 3 February as part of the Centre for Latin American and Caribbean Studies Seminar Series.
Here you can find some audios from our Postgraduate workshop: Researching Latin American Cities, organised by CLACS, in conjunction with Global Urban Research Centre and with the support of cities@manchester. The event took place on 5 November 2015.
The workshop explored the challenges for Latin American cities, addressing the somewhat fragmented nature of existing literature by discussing and deploying different disciplinary approaches. The workshop was aimed at Masters and PhD students who are currently working on or who have concrete plans to work on Latin American cities.
More information about the event can be found here.