Emily Baker (UCL): Possible Worlds: Contemporary Latin American Ecological Fiction

Talk delivered on 1 February 2024 as part of the University of Manchester’s Centre for Latin American and Caribbean Studies research seminar series.

Emily Baker is Associate Professor in Comparative Literature and Latin American Studies at University College London.

Abstract: One of the key questions at the heart of ecological fiction is: what is the relationship between language/culture and ‘the real’. The anthropologist Anna Tsing argues that: ‘To appreciate the patchy unpredictability associated with our current condition, we need to reopen our imaginations’. For Eduardo Kohn in his seminal work How Forests Think, ‘language is nested within broader forms of representation that have their own distinctive properties … open to the emerging worlds around us’. This presentation examines work that engages with the question of the interface between representation and ‘the real’ explicitly and self-reflexively. Drawing upon case studies from contemporary Latin American ecofiction, this presentation will primarily focus upon two very different novels as a function of the ‘possible’ or ’emerging’ worlds that they stage. The first is El camino de Ida/The Way Out (2013) the last novel written before his death by the canonical Argentine author Ricardo Piglia; a realist campus novel set in a fictionalised version of Princeton where the author worked, which tells the story of the U.S. domestic terrorist the Unabomber, with an ecological slant. The second is La mucama de Omicunlé/Tentacle (2015) by queer Dominican author Rita Indiana. This speculative fiction sets out a near possible future of ecological disaster with the opportunity for a character to travel back in time and prevent that future from playing out. Despite pertaining to different literary genres, I argue that both demonstrate that culture is the privileged terrain upon which ecological crisis is negotiated.

Alfredo Villar (Independent): “De la historieta a la historia: Conflicto armado interno, memorias y contra estéticas visuales en la narrativa gráfica peruana”

Talk given (in Spanish) on Wed 5 October, as part of the University of Manchester’s Centre for Latin American and Caribbean Studies research seminar series.

Abstract: El conflicto armado interno peruano produjo un conjunto de memorias que aún continúan en disputa. Una primera narrativa totalizadora intentó ser el Informe Final de la CVR, aunque distintas narrativas políticas comenzaron a cuestionar y a disputar su condición de “verdad”. Pero los protagonistas del conflicto, desde mucho antes, también habían generado distintas memorias y narrativas visuales más allá del canon político y estético oficial. La ponencia intenta rastrear algunas de esas narrativas y contra estéticas visuales, sobre todo desde el arte popular y la historieta, que presentan nuevos contenidos de verdad. También se presenta el caso de RUPAY historieta de creación colectiva que en su propia narrativa visual usó elementos de esas diversas y disidentes memorias políticas y visuales.

Alfredo Villar is a Peruvian writer, art historian, and curator specializing in Amazonic and contemporary urban culture and music. He has published fiction and poetry books and also a graphic novel, “Rupay,” that was possible because of a grant from the Rockefeller Foundation. He is very active in the art scene where he has curated the Amazonic art and chicha art expositions. Alfredo was part of the 2015 Smithsonian Folklife Festival dedicated to Peru, with a group of Amazonic and chicha artists and musicians. Additionally, he plays Amazonic and chicha music under the name of DJ SABROSO. He is the author of YAWAR CHICHA: Los ríos profundos de la música tropical peruana (Lima, 2022).